Flume (and the importance of being earnest).
When you are sad and the winter is coming and the days are dark, then you can just be sad and let everybody see how sad you are.
Or: you could write a story about being sad, or paint a picture in maroon paint that captures your sadness, or buy an accordion and try to play a sad song on it (impossible), or simply do what Justin Vernon (from Bon Iver) did: hole up in a cabin and record the Greatest Song Ever; a ballad called Flume, and just stick all your sadness and melancholy and love and Americana-loving accoustic guitar into one haunting masterpiece.
Or, you could watch Ernest Saves Christmas three times in a row, which is like the cinematic opposite of anything Bon Iver has done thus far. You will not be sad after that. But my recommendation is to
Make something, or
Write something, or
Create something.
And then watch yerself some Ernest P. Worell.
Bon Iver
Flume
For Emma, Forever Ago
2008
Altman played with overlapping dialogue and long handheld shots that kept the focus on people talking and interacting over each other. Rather than the rat-a-tat-tat of one person talking, then another, there were people constantly moving and talking over and around one another in many of his films - and sometimes off-camera - in fact, sometimes the dialogue happening off-camera is more important to moving the story along than what we’re actually seeing.
Malick has crafted many beautiful, provoking, poetic films that also focus on capturing the feeling, the presence, the happening of a moment in earth’s existence, rather than blazing along with the camera directly focusing on the action. There’s an ephemeral presence in his stories that are both contemplative and action; the action of life happening in our peripheral vision, and how that often is the driving force, rather the apparent happening in front of us.
My mom would come out in the front yard and video. A child would fall, and she would keep videoing. Children would argue, and she would keep videoing. Something would happen away from camera, and she would keep videoing - and narrate what was happening.